(Credits: Far Out Magazine)
As the new week begins, the world of alternative music delivers an extensive selection of new albums. From well-known artists like Thom Yorke and Jonny Greenwood with their latest release by The Smile, to returning favorites Ty Segall and Katy Kirby, there is a wide range of quality music to explore. The Alternative Album Chart showcases the best new indie and alternative albums for this week, offering something for every music lover.
2024 has started off with a bang in the music world, aiming to make a cultural impact as previous years have done. This week, numerous albums have been released that have the potential to become contemporary classics. The sonic landscapes presented are diverse and accomplished, showcasing the breadth of talent and creativity in the alternative music scene.
However, not every release has been a success. Some artists have put out albums that fail to resonate with listeners or bring anything new to the table. This highlights the danger of repetition and derivative work, which can ultimately undermine an artist’s previous achievements and call into question their integrity.
These sobering truths remind us that even in a generally thriving music landscape, there will always be artists who don’t quite fit in or contribute meaningfully to the cultural conversation. Despite their efforts, they struggle to make an impact and fail to live up to the hype.
Below is this week’s Alternative Album Chart, featuring the best new indie and alternative albums:
The best new indie and alternative albums this week:
Wall of Eyes – The Smile – 4.5
The latest album from Thom Yorke and Jonny Greenwood’s project, The Smile, continues to provide comfort and unsettling themes for fans of Radiohead. The duo is joined by former Sons of Kemet drummer Tom Skinner, resulting in a rhythmic and eclectic approach that breaks free from indie rock conventions. The album, recorded in Oxford and Abbey Road Studios, features haunting music and lyrics that create a desolate atmosphere.
Sadness Sets Me Free – Gruff Rhys – 4
Gruff Rhys’s 25th studio album, Sadness Sets Me Free, showcases his deep understanding of sound and structure. The cohesive sound of the album is both tranquil and inspired, with Gruff’s voice reaching new heights. Despite the downbeat title, the record offers plenty to smile about, evoking a sense of warmth and anticipation for the future.
You Don’t Have To Be Yourself Right Now EP – 86TVs – 4
The debut EP from 86TVs, You Don’t Have To Be Yourself Right Now, provides a glimpse into the band’s promising future. The EP features familiar songs that have been performed live, capturing the energy and chemistry of the band’s live shows. With harmonization as their unique selling point, 86TVs deliver a poignant and cohesive body of work that sets the stage for their forthcoming album.
Blue Raspberry – Katy Kirby – 3.5
Katy Kirby’s Blue Raspberry is a bold and introspective journey of self-discovery. The album explores the complexities of romantic relationships, particularly Kirby’s first queer relationship, with relatable and poetic lyrics. The album is a testament to Kirby’s lyrical prowess and offers a captivating mix of indie musings and authenticity.
Three Bells – Ty Segall – 3.5
Ty Segall, known for his distinctive sound and prolific music output, returns with Three Bells. The album showcases Segall’s ability to seamlessly blend quieter moments with explosive garage-rock instrumentation. While some tracks fall into safe territories, there are moments of genuine excellence that solidify Segall’s status as an alternative rock hero.
Dark Rainbow – Frank Carter and the Rattlesnakes – 2.5
Frank Carter and the Rattlesnakes explore light and dark themes on their fifth album, Dark Rainbow. While Carter’s vocals shine at times, the album falls short in fully embracing innovative routes and resorts to bombastic rock clichés. Despite a few artistic flourishes, the album lacks the impact and cohesiveness to stand out.
Spiel – Office Dog – 2.5
Office Dog’s debut album, Spiel, attempts to play with light and dark tones but falls short in execution. The album showcases flashes of brilliance but often gets lost in the endless rehashing of metaphors. With a lackluster effort and style overpowering substance, Office Dog’s potential is hindered by their preoccupation with imagery.
What An Enormous Room – Torres – 2.5
Torres’s What An Enormous Room demands attention with its ever-changing sounds and emotional journey. The album blends various elements, from indie rock to glitchy spoken word moments, creating a rollercoaster of emotions. While the album’s intricacy can be overwhelming at times, there are moments of brilliance that showcase Torres’s vision and talent.
People Who Aren’t There Anymore – Future Islands – 2
Future Islands’ seventh album, People Who Aren’t There Anymore, explores themes of loss and mourning. However, the album fails to strike the right balance between earnest lyrics and music, resulting in a lackluster listening experience. While there is still an audience for this synth-pop record, time has exposed a flabby dullness that hinders its impact.
New Last Name – Courting – 1
Courting’s New Last Name lacks originality and musical talent, offering little to differentiate itself from countless other indie bands. The album’s sound feels outdated and reminiscent of a bygone era, and the vocals border on being emo or pop punk at times. Despite branding themselves as part of the post-punk scene, Courting fails to capture the essence and innovation that defines the genre.